-= ReyBomb.com =-

Robama 07

I made some progress on Robama's texture. Using my wacom tablet I drew in the outlines and the shading that is Bensonn's signature memebot style. Check it out below.

Robama March

Labels: 3d, Robama

Robama 06

There is a flurry of work on my workstation today! I'm cereal.

I quickly modeled, unwrapped, and rigged a character in a week. WOW. I know he's not that challenging, but Robama kind of reminds me of a Lego minifig. Simple, yet expressive enough.

I am hoping to upgrade my 3d workstation in the near future, but for now I'll have to abuse the single processor while I have it. It's a quad Xeon and it spit out the render below in 4min. I'm impressed. Way back in the day it would've taken me an entire day.

The rig still needs some work. In the meantime, enjoy this pose.

Robama in Glass

Labels: 3d, Robama

Robama 05

I still have to rig this character, but I couldn't help myself. I wanted to see Robama with the face that Bensonn drew on his "Reboot" poster. I also used the mental ray renderer to see him in his shiny chrome glory.

Okay, back to work...

Labels: 3d, Robama

Robama 04

These renders, along with the colored UV map, should work well as guides on how and where to draw textures. It is almost like a game. Once you study the renders for a while you should be able to pick out which texture patch goes where on the 3d character.

Thanks for the idea Dmak!

Labels: 3d, Robama

Robama 03

Unwrella is a really good tool for quick UV layouts and unwrapping. However, it is still a baby compared to some other plug-ins. I've heard that there is another texture tool that will color code your maps. That sounds like a great idea.

The plan is to have the original artist create textures for Robama. With this goal in mind I had to find a way to illustrate how the exported UV layout corresponds to the 3d mesh. With a great suggestion from one of homies, I colored in the UV map in Photoshop and applied it to the 3d character.

Below you can see the, soon to be classic, checker pattern and the unwrapped faces. I also included the colored map that I will render on Robama.

Labels: 3d, Robama

Robama 02

Modeling Robama is like a throwback to 8-bit gaming. I love his simple shapes and can do attitude. Below you can see him taking shape. That hand of his is all nuts and bolts baby! He is almost complete, minus the ears.

Labels: 3d, Robama

Robama 01

Robama is a character, "memebot", created by Bensonn Anspach. Check out his work on this site: www.memebots.com

After chatting with my friend, my friend, my friend Bensonn I came up with the idea to model Robama in 3d. I figured it should be a quick study and a great opportunity to practice my unwrapping and texturing skills.

Speaking of which, I hate unwrapping!

Dmak turned me onto a new beta plug-in called "Unwrella". I've been meaning to try it out for a couple of weeks now and Robama would be a good test for it. Besides, I love robots!

Here is my character sheet of Robama along with the setup in 3dsMax. Robama likeness used with permission:

Labels: 3d, Robama

Charlie Bear Brown 10

Nearly 20 days of work, on and off on this character. Granted I learned some new tricks and techniques. I was working from yet another book which had different lessons. For the most part I was picking and choosing the parts of the book that would help me model a character.

After playing around with the lighting a bit I moved on to rendering. Below are some views of Charlie in a pose. I will render some animations and post them on the Reel section of this site. Check there to see Charlie move.

I'm thrilled with the way my teddy bear turned out. Now he will always be with me, HA. The fur texture didn't come off so bad, I feared that it would look like a bunch of patches waving in different directions.

In the future I may re-do Charlie as a high-resolution model. However, for animation purposes he is ready to sign a contract.

Labels: 3d, CharlieBear

Charlie Bear Brown 09

So much to learn. For Charlie Bear Brown I used the Skin modifier as opposed to the Physique modifier I used on my first game character. There are some major differences in how you manipulate the influence of the bones on the mesh with Skin.

Below you can see that each bone has envelopes that can be re-sized to affect the mesh around it. Using Skin was very handy. Although, it took me a lot of trial and error to figure out how it works. Here again you can save custom files called ".env". These files allowed me to tweak and save my progress. I kept multiple copies as I refined my envelopes.

Afterwards I spent some time moving the bones around and watching Charlie's mesh deform. I eventually went back to the bones and saved progressive changes as ".fig" files until I was happy with the figure. Then re-applied the Skin modifier and loaded my latest .env file.

Such happiness when things work out.

Using Skin (opposed to Physique) kicked ass and I learned about 2 new file types in Max to help me save time and my sanity.

Labels: 3d, CharlieBear

Charlie Bear Brown 08

This past weekend I rigged Charlie with a custom Biped skeleton. Don't you love his big phat head? I do.

Placing the bones was a snap and using a transparent mesh allows me to see what i'm doing when modify the bones. Also, as a shortcut I only setup the green bones and copy the attributes over to the blue bones.

Labels: 3d, CharlieBear

Charlie Bear Brown 07

I'm feeling very sleepy at the moment, but I was too excited to see what Charlie would look like with his fur on. I rendered him from the front view, you can see the wire-frame composite below.

All that hard work unwrapping, taking photos of the bear, and stitching the textures finally paid off. Say hello to Charlie Bear Brown.

I couldn't figure out why his poly count was so high. Then it hit me! I made Charlie's eyes out of multiple spheres, mostly because I wanted model his real plastic eyes. I should consider making them a texture and loosing almost 1k in vertices and geometry.

Labels: 3d, CharlieBear

Charlie Bear Brown 06

The layouts are being done in two maps. I tried using just one, but the fur didn't look right. So I split the head and the body into two UV layouts, which I have saved as individual ".uvw" files. Giggity!

It took a while to stitch Charlie in Photoshop. He wasn't as easy as a pair of pants. First I took many photos of my teddy bear in decent lighting. Then I had to color match them. After that I started cutting, pasting, and painting.

It was kind of weird to virtually dissect my bear and flatten out his skin. All in the name of art and animation.

Labels: 3d, CharlieBear

Charlie Bear Brown 05

Unwrapping is for the boids! Really man, couldn't there be an easier way? Someone please help me here. I gotta find that one tool that unwraps a mesh for you with one click based on the seams you draw. Does that exist?

After spending some late nights and the weekend, this guy is finally unwrapped in a decent manner. I started over with the UVW modifier so many times, then I read about saving layouts. WOW.

Saving UV layout files helped me so much. I was able to texture bits and pieces at a time, save a UV file, then later I would load it, collapse the stack and do it over again. I know I sound crazy to most of you, but take my word; unwrapping is madness best taken with a shot of Patron.

Here you can see Charlie with his checker pattern on. Some stretching is occurring around his neck and on the top of his head; F@CK it!

Labels: 3d, CharlieBear

Charlie Bear Brown 04

After I finished modeling Charlie as a complete character, I went back and re-worked some of the features on his head.

The legs also needed more evenly spread faces. I'm quite happy with the way he is now, but only after animation will I really know what needs work. I can already tell that the arms and leg may be a pain.

I've colored his mesh purely for my own benefit and to represent his actual color scheme. Here you can see him in low poly and with no smoothing. The head may not be fully low poly, but this project is for fun and I want some clean smoothing in his face later on.

Labels: 3d, CharlieBear

Charlie Bear Brown 03

That was a long fun weekend. Now back to the modeling...

Unlike my first game character, Charlie will be a single mesh object. I finished his body last night. Well, for the most part. I left a couple of holes on his torso where I plan to put the arms.

Even though I'm trying to keep this model low-poly, I do want his arms and legs to bend nicely. I may have to come back and add geometry after I put a rig on him.

As I was modeling I kept noticing that I drew Charlie a bit wide. I attempted to draw him to his proportions, but for animation it may not work. You'll notice below that he is going to be a bit thinner than the drawing.

Labels: 3d, CharlieBear

Charlie Bear Brown 02

The head is going well, even though I've started over a handful of times. I tried the spline modeling technique that I used on Van Der Dick and It just didn't seem to be working out for me.

I am at a good point after a couple of days worth of modeling though. The proportions of the snout and ears needed major work. It is quite nice having a real object to draw inspiration from. Especially since my artwork is not museum worthy, yet!

Here are a couple of views of the head, plus a screen capture from the reference drawing.

Labels: 3d, CharlieBear

Charlie Bear Brown 01

I have a teddy bear that was given to me when I was 8 years old. His name is Charlie Bear Brown. I'm not sure how I came up with that, but I'm sure that my mother helped me. I do like Snoopy quite a bit and it's possible that there was an influence from the Peanuts.

Moving on...

Every once in a while I would sketch this bear and it only seemed fitting to model him in 3d. It is the least I can do for a stuffed animal that has given me so many fond childhood memories. It's not always easy being a latchkey child you know.

Here we go...

Labels: 3d, CharlieBear

Van Der Dick 14 - DONE!

-= Animate

Finally. I have been playing around with some simple animation files and trying to figure out where my mesh is deforming. For the most part I have been able to clean it up and create a pass-able animation rig.

This is nowhere near professional, but it is a good start and I am sure the next one I do will be better. I can't believe that almost a month of work went into getting this guy up and running. I rendered a small animation clip of Van Der Dick doing a jump kick. The animation file was part of the course materials, therefore I can't fully claim animation credit. However, the composition was all me. The panning camera, the stage, the lights, all me... HA! Check it out in my "Reel" section.

Below you can see a couple of areas that were giving me trouble. Adding animations and scrubbing the time-line is a great way to see how your character/mesh is behaving.

Labels: 3d, VanDerDick

Van Der Dick 13

-= Rigging

I'm on a roll now. This phase of the project involves adding a biped skeleton system to the mesh. I've done this before, so I was able to shape the bones to fit inside the mesh rather quickly. What I hadn't done before was to spend time linking all the bones to the corresponding vertices.

In order to have this model work in the supported game engine I am asked to use the Physique modifier. This is actually a decent method for rigging the mesh quickly. From other sources, I have read that the Skin modifier is more commonly used for animations. Meanwhile, the Physique modifier is more often used in video game rigs. I'm sure it is a matter of necessity. I hope to learn more about this in the near future.

Below you can see a selected leg bone and the influence area on the mesh. This must be done for each bone. I'm glad I have a couple years worth of music in my library, since this chore takes time. I'll finish this up later, right now my eyes are about to close for the last time tonight.

Labels: 3d, VanDerDick

Van Der Dick 12

-= Meshes Unite

Skinning is complete! This is as much as I am willing to do for now. I have been reading a book on animation in Max and I'm itching to put a rig on this guy and make him move.

I had added a Turbo Smooth modifier just for kicks and to see how much of an effect it would have on my mesh. You can see the tallies in the polygon/face counts below. Over 3k polys on the body with a higher resolution. I'm guessing this is where procedural mapping comes in handy.

This image is a composite of the high resolution body mesh. I doubt it would be game engine friendly. Not as it is anyway, too much to calculate. The feet do look better though!

Labels: 3d, VanDerDick

Van Der Dick 11

-= Head On

As instructed, I am only working on half of the head. This speeds the work flow quite a bit, but the downside is that Van Der Dick will have a mirrored personality. HA!

Stoopid I know...

The UV map was much easier to work than the whole body. The face was unwrapped in three pieces; top, face, and bottom. You can see the UV layout below. I stretched the face to make it longer, this way the checkers would all be more evenly distributed. Not bad.

In Photoshop I painted the whole head and face. However, I did use some reference artwork for the facial features. This was included with the project files. I modified it enough to make it different, and of course I had to paint in the nose, ears, and fill in gaps. I also painted along the seams with a similar tone so that when the maps are put together it will look seamless. You can notice this along the jaw on the bottom and the side of the head on the top.

Pretty good looking guy huh? LOL, yeah right...

Labels: 3d, VanDerDick

Van Der Dick 10

-= Wacom Time

The instructions for creating textures are rather liberal. You have the option of using the pre-made materials, but what fun is that? There is a tutorial included on how to stitch photo reference material into clothing that can be applied to your UV map.

Speaking of the UV map, after rendering it from 3dsMax I took it into Photoshop and began to paint the areas that would have clothing and skin. I also took some photos of a pair of pants and found images of a military boot online. However, stitching the boot took quite a while. In some areas I had to paint in what the boot may look like from the back or the side.

The same thing happened with the pants. Although I was able to lay out the pants flat for photo taking, it still took a lot of cut, paste, paint, and imagination to fill in the gaps. I almost felt like a garment maker; maybe I should consider doing clothes design, nah...

In any case, this was a fun period after all that tedium with arranging the UV maps. The great thing is that I can create an endless amount of clothes for this character and have multiple character variations using the same mesh. Email me if you want to paint a UV map.

I didn't spend too much time on the shirt or hands, mostly because I want to move on to the head. That should be a challenge.

Labels: 3d, VanDerDick

Van Der Dick 09

-= UVs

Editing the UVs and trying to figure out how to lay out them out has to be a special skill earned with experience. I'm only aiming to paint in Photoshop; I can't wait to work with procedural maps, UVWs.

Here I am showing the editing panel for texture coordinates. You can also see on the model that I have mirrored the coordinates from one side to the other. The torso is broken up into the front and back. The arms, legs, boots, and hands have also been separated and flattened.

The checker map is still not 100% perfect, but I do need to move on and take the UVs into Photoshop. I guess after all this unwrapping is done we get to have some fun painting. Time to use the tablet, wooo hoooo!

Labels: 3d, VanDerDick

Van Der Dick 08

-= Unrwapping

I think I want to destroy my CPU. I have been staring at those damn checkers for way too long. I think they are getting bigger on their own. No wait, that must be my imagination...

Seriously though, I'm almost there. Again I've restarted the process a few times for the sake of practice; and to figure out what the hell I was doing. I have learned so much; the ability to save mapping coordinates is so helpful and it's starting to save me time when I experiment. I think I'm getting the hang of this skinning, but I don't have to like it!

Labels: 3d, VanDerDick

Van Der Dick 07

-= Skin and Pelt

Now that I have a body and a head, I need to paint them. This process involves "unwrapping" the mesh into segments that can be flattened. Think of it as if you were to peel an orange. You pull off the slices of skin, lay them out next to each other, and sew them together into one flat piece. Now paint over the flattened skin, go ahead draw some eyes on it and a mouth.

Now take that painted skin and re-apply it to your orange. Hey! Check that out. Your orange has a personality. Okay, well maybe it is not that easy. Yet that is what texture artists are asked to do to strange and complex 3d objects.

One technique is to apply a texture map to your whole mesh in order to see where things are deforming. Using a checkered contrasting pattern you can see where the faces on a 3d model will pull on the pattern.

Learning this, and learning to use the still fresh skinning tools in 3dsMax is proving to be a test in patience and persistence. Thank god that I can leave in a few minutes to go eat some food. I've never had Middle Eastern chow, I hope I like it as much as I like far eastern cuisines.

Labels: 3d, VanDerDick

Van Der Dick 06

-= Almost There

Working all night on this face. It still needs much work to be a handsome devil. For now Van Der Dick, as he is now known, will have to stay content as an ugly mug.

This face has been mirrored and combined to form one whole head. I'm not sure that I like the way the geometry was laid out. I have read in other books that edge loops should be clean. This face is more like the sky, stars everywhere. By that I mean that in too many areas I was supposed to connect triangles and make them look like stars. Not too crazy about it, I prefer nice even quads.

Oh well, onward, I have to learn to paint this thing and make it look decent.

Labels: 3d, VanDerDick

Van Der Dick 05

-= Shape Me

You really do need to develop a sense for organic shaping and modeling. My first attempt at a facial spline-cage wasn't the best. I had to re-start a few times just to get a sense of where I was placing lines. After a while I was able to get a feel for where to curve the lines. Eventually I got a face that didn't seem so boxy and rigid. Still needs more shaping, but it should do for now.

In these images you can see a surface modifier is applied and the mesh is turned into editable polygons.

Labels: 3d, VanDerDick

Van Der Dick 04

-= Face Me

Modeling faces in 3d seems like an overwhelming task. Like everything in life, practice makes perfect. I have seen my friends model faces from scratch and with rather good accuracy.

I haven't modeled a face in a while, but I'm hoping to learn a new method. Well, new to me anyway. I have modeled faces using box modeling and by deforming the surface to get the details I want. In this chapter however, I am instructed to use lines to lay out the cage of the face. In some steps I am to pull lines forward or back to create depth. This is a very interesting method, but I am not fully sold on it just yet.

Here we have two views of the face sketch; the front and back. You can see the spline cage I'm building from both views. The third image shows the face from a different perspective.

NOTE to self: use higher res image map for sketches.

Labels: 3d, VanDerDick

Van Der Dick 03

-= Mirror Mirror

The symmetry modifier in 3ds max is the gateway to using the mirror modeling technique. It is such a time saver and I can't imagine modeling without it. Here you can see varying views of the nearly completed body.

Labels: 3d, VanDerDick

Van Der Dick 02

-= Modeling Half

Working from quick and dirty sketches I have mirrored the front to create the back. After some push and pull action I ended up with what amounts to half of the character's body.

In the second image you can see the sharp edges from the geometry. After smoothing the polygons you can see a difference in appearance. I am hoping to keep the total geometry pretty low, I'm aiming for around 600-700 polys.

Labels: 3d, VanDerDick

My first game model.

I used to think of game models as boxes on top of boxes. That is to say, that they would be extremely low polygon creations in which you could expect to see many sharp corners. This approach, has of course, changed over time.

Continuous improvements in graphic hardware allow our current game models to reach very high polygon counts. Although I have just started to research the trends, I felt like I could create one of these "game-engine friendly" models.

Thanks to dmak for getting me a book that covered this very topic, a great present! This book is a great start and already I have learned much about game models from it. Check it out if you need a quick start in game modeling; Game Character Modeling...

Although I started going through the book with the given character, I plan on making him my own. I could finish him as a pirate, but I want to learn everything on my own. This means I'll be learning how to unwrap the model and I'll have to create my own texture maps in Photoshop.

The book does come with a finished model and all the necessary graphics to complete the pirate character, and there is nothing wrong with pirates; aargh!

-= Getting Started

I began with spline outlines, added some cross-sections, and pulled some vertices a bit to create one quarter of the wire cage.

Labels: 3d, VanDerDick

ProjectBlog

November 25, 2008

Robama 07

November 20, 2008

Robama 06

Robama 05

Robama 04

Robama 03

November 18, 2008

Robama 02

November 17, 2008

Robama 01

October 20, 2008

Charlie Bear Brown 10

October 16, 2008

Charlie Bear Brown 09

October 13, 2008

Charlie Bear Brown 08

October 11, 2008

Charlie Bear Brown 07

October 10, 2008

Charlie Bear Brown 06

October 6, 2008

Charlie Bear Brown 05

October 3, 2008

Charlie Bear Brown 04

September 30, 2008

Charlie Bear Brown 03

September 26, 2008

Charlie Bear Brown 02

September 24, 2008

Charlie Bear Brown 01

September 20, 2008

Van Der Dick 14 - DONE!

September 18, 2008

Van Der Dick 13

September 15, 2008

Van Der Dick 12

September 12, 2008

Van Der Dick 11

September 8, 2008

Van Der Dick 10

September 3, 2008

Van Der Dick 09

August 30, 2008

Van Der Dick 08

August 27, 2008

Van Der Dick 07

August 25, 2008

Van Der Dick 06

August 22, 2008

Van Der Dick 05

August 19, 2008

Van Der Dick 04

August 15, 2008

Van Der Dick 03

August 13, 2008

Van Der Dick 02

August 11, 2008

My first game model.